Callbak is a narrative development company focused on international co-production.
We advocate for premium minimalism, using a streamlined production approach that balances artistry with practicality.
In collaboration with production companies we focus on creating original, high-quality content in a market flooded with formulaic films,
audiences are increasingly seeking well-crafted stories that challenges and engages them.
With technology democratised, the rise of AI and film innovation opening new doors,
Callbak emphasises the importance of compelling, human-centered narratives over technical spectacle.
You make me happy.
What fuels me is change; from within a society. Stories are a large part of how we do that, without them we don’t know who we are.
Business operator in Sydney’s commercial film industry. Management & project development experience at Breathless Films, Sydney Film Studios, AFTRS and more. Project leader for Skellefteå/Copenhagen initiative.
Screen & Media studies at Sydney Film School.
I like your smile.
I believe imagination can take you anywhere.
I hope we can reach the hearts of the people who feel hurt and unseen,
and make Callback an environment so welcoming that people feel free to show their full potential.
Winner of Corax Filmfestival for best screenplay 2018.
Police Academy, Linnaeus University.
Screen & Media studies, Sydney Film School.
I believe in you.
Screen & Media studies, Sydney Film School.
You may be somebodies light.
A director, writer and editor with seven years experience creating music videos, commercials, short films and one indie feature.
His strength lies in bridging the gap between the abstract and concrete through compelling yet highly executable visions. The small, dynamic field between creativity and analysis is where he has the most fun.
A part from developing strong intellectual properties, he is the market analyzer at Callbak Films. Having studied literature and marketing at university, he makes sure we focus on telling the most relevant, authentic, moving stories audiences need right now.
Keep going.
Movies have always been a way for me to connect to people.
Growing up with autism, I struggled to communicate with others. Movies became a way for me to learn about “conversation,” as they depict real life issues. They helped me navigate feelings of confusion, sadness, and fear. I aspire to impact people through film, just as it has impacted me.
During my time at Sydney Film School I was nominated for Best Screenplay and Best Director twice, winning the Best Director award once. My biggest and proudest achievement was being selected for the Talent to Watch program alongside six other participants from 2021 to 2022. This competition, made possible by the Swedish Film Institute, aimed to discover new talents.
In Sweden, I have worked on films such as the Guldbagge Award-winning “Trädgårdsgatan/Garden Lane” and have worked as an assistant to line producer Thomas Nilsson throughout the entire production of the world renowned fourth season of “The Bridge.”
I believe I can offer a unique perspective as a screenwriter by drawing on the emotionally charged experiences from my upbringing, which can help others convey and manage emotions more effectively in their own scripts.
Screen & Media studies, Sydney Film School.